Title |
Director |
Cast |
Genre |
Notes |
1940 |
Polizon a bordo |
Florián Rey |
Ismael Merlo, Antonio Casal |
|
|
1941 |
La famosa Luz María]] |
|
Manolo Moran, Lupe Sino |
|
|
1942 |
El hombre que se quiso matar |
Rafael Gil |
Antonio Casal, Rosita Yarza |
|
|
El abanderado |
Eusebio Fernánzdez Ardavín |
Alfredo Mayo, Mercedes Vecino |
|
|
Huella de luz |
Rafael Gil |
Isabel de Pomés, Antonio Casal |
Comedy |
Based on a Wenceslao Fernández Flórez novel adapted by himself |
Los ladrones somos gente honrada |
Ignacio F. Iquino |
Amparo Rivelles , Antonio Riquelme , Fernando Freyre de Andrade |
Comedy |
Adaptation of Enrique Jardiel Poncelas play |
Los misterios de Tanger |
Carlos Fernández Cuenca |
Estrellita Castro, Manuel Luna, Raúl Cancio, Erasmo Pascual |
Drama |
Germán López Prieto |
Malvaloca |
Luis Marquina |
Amparo Rivelles |
Drama |
Based on a Joaquín Álvarez Quintero play |
Raza |
José Luis Sáenz de Heredia |
Alfredo Mayo, Ana Mariscal |
War drama |
Fascist film; script written by Franco. There are two different versions because it was recut in the '50s. |
1943 |
El 13 - 13 |
Luis Lucia |
Rafael Durán, Marta Santaolalla |
Comedy |
|
Viaje sin destino |
Rafael Gil |
|
Comedy |
|
Eloísa está debajo de un almendro |
Rafael Gil |
Amparo Rivelles , Rafael Durán |
Comedy |
Based on the same title Enrique Jardiel Poncela's play. |
El escándalo |
José Luis Sáenz de Heredia |
Armando Calvo |
Drama |
|
1944 |
La torre de los siete jorobados |
Edgar Neville |
Antonio Casal, Isabel de Pomés, Guillermo Marín |
Mystery |
|
Santander la ciudad en llamas |
Luis Marquina |
Rosita Yarza, Guillermina Grin, Julia Pachelo, Félix de Pomés |
Drama |
Written by Germán López Prieto |
La vida empieza a medianoche |
Juan de Orduña |
José Isbert |
Screwball comedy |
|
Ella, él y sus millones |
Juan de Orduña |
Rafael Durán, José Isbert |
Screwball comedy |
|
Tuvo la culpa Adán |
Juan de Orduña |
Rafael Durán |
Screwball comedy |
|
El clavo (The Nail) |
Rafel Gil |
Amparo Rivelles, Rafael Durán |
Crime / Love |
Based on a short story by Pedro Antonio de Alarcón. Great success |
1945 |
La vida en un hilo |
Edgar Neville |
Conchita Montes, Rafael Durán, Guillermo Marín |
Comedy |
|
Domingo de carnaval |
Edgar Neville |
Fernando Fernán Gómez , Conchita Montes, Guillermo Marín |
Crime |
|
Los últimos de Filipinas |
Antonio Román |
Armando Calvo, Manolo Morán, Guillermo Marín, Fernando Rey |
Historical |
About the 1898 Spanish-American War in the Philippines seen with Franco's propagandist speech. |
El destino se disculpa |
José Luis Sáenz de Heredia |
Rafael Durán, Fernando Fernán Gómez, Manolo Morán |
Comedy |
Based on a Wenceslao Fernández Flórez novel adapted by himself |
1946 |
El crimen de la calle Bordadores |
Edgar Neville |
Conchita Montes |
Crime |
|
La Pródiga (The Prodigal Woman) |
Rafael Gil |
Rafael Durán, Paola Barbara, Fernando Rey, |
Drama |
Pedro Antonio de Alarcón novel |
1947 |
La copla de la Dolores |
Benito Perojo |
Imperio Argentina |
|
Entered into the 1947 Cannes Film Festival |
La Lola se va a los puertos |
Juan de Orduña |
Juanita Reina , Ricardo Acero |
Musical |
|
Nada |
Edgar Neville |
Conchita Montes |
Drama |
Based on the famous Nada (novel) by Carmen Laforet |
1948 |
Botón de ancla |
Ramón Torrado |
Fernando Fernán Gómez, Jorge Mistral |
Comedy |
There are several sequels and remakes. |
La calle sin sol |
Rafael Gil |
Antonio Vilar, Amparo Rivelles , Manolo Morán |
Drama |
Written by Miguel Mihura |
Vida en sombras |
Lorenzo Llobet Gracia |
Fernando Fernán Gómez |
War drama |
Filmgoer; not released until 1952 |
Locura de amor |
Juan de Orduña |
Aurora Bautista, Fernando Rey, Sara Montiel , Jorge Mistral |
Historical drama |
The loves and madness of Joanna of Castile, Queen of Spain |
Mare Nostrum |
Rafael Gil |
María Félix, Fernando Rey |
|
|
1949 |
Mi adorado Juan |
Jerónimo Mihura |
Conchita Montes, Juan de Landa, Conrado San Martín |
Comedy |
Based on Miguel Mihura's famous play and written by himself |
Un Hombre va por el camino |
Manuel Mur Oti |
Ana Mariscal |
|
|
Rumbo |
Ramón Torrado |
|
|
Entered into the 1951 Cannes Film Festival |